For all the conflict imagery, War & Leisure is often brightly colored, even upbeat. And then there's the buzzing, clomping "City of Angels," drawn from the perspective of an unfaithful lover who was out of town, caught up in a fling, while his woman was victimized by a ruinous attack on Los Angeles. Cole, is filled with nods to Colin Kaepernick. Space made for not one but two of the six featured guests, Rick Ross and J. Some references to his own armament aren't metaphorical. Miguel sings of being a vigilante and rebel, of "terror on her mind," and Korean missiles. Although direct references to various intensifying issues are saved for the sparse finale "Now" - in which police brutality, immigration, polluted water, and inadequate disaster relief all get time - the majority of these songs are at least loosely inspired by the distressed climate. It didn't help that the penultimate number was "Pussy Is Mine." After the sleazier Wildheart, his second Top Five album, human rights issues naturally fueled Miguel's writing to a greater extent, as heard on War & Leisure. When Miguel lamented inequality and its manifestations on the closing track of Kaleidoscope Dream, it seemed forced, heartfelt as it was, like the singer was reaching to display some depth.
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